"REINHEIT" Derevo Theatre
13.11 FRiday 7.00 PM. PROM KULTURY Theatre, BRUKSELSKA 23 str, WARSAW
The shows will be available for watching in two different ways:
- Through live streaming on Facebook Prom Kultury Saska Kępa Theatre
- After the end of the broadcast, from the next day it will be possible to watch online VOD thru VOD.MIMOWIE.PL
(Please register on our VOD platform)
All shows you can watch for free.
- Through live streaming on Facebook Prom Kultury Saska Kępa Theatre
- After the end of the broadcast, from the next day it will be possible to watch online VOD thru VOD.MIMOWIE.PL
(Please register on our VOD platform)
All shows you can watch for free.
„REINHEIT” Derevo Theatre - Russia/ Germany
Derevo, a group from Dresden with Russian roots shows their new piece ‚Reinheit’. Together with the cellist Ekaterina Gorynina, movement theatre artist Anton Adasinskiy with his 2 sons Arthur and David Adasinskiy are ready to enter the cosmos of Bach’s music. They could not have done it earlier. And later it could not happen. So now…
In the music school, when I heard “The Well-Tempered Clavier” for the first time, the teacher laughed while she was playing. “For some reason, I always laugh while doing it. You know, this music has always existed and Bach only remembered it.” I remember Mom. Mama also existed in-mer. She could neither be a child nor die. Once she told me she felt shameless listening to Bach’s music. “How – shameless?” “Well, how can you listen when someone talks to God…” she replied.
Today the time has come: actor of physical theatre Anton Adassinskiy and cellist Katerina Goryni-na enter this divine realm of music.
The theater ensemble DEREVO, Russian “The Tree”, was founded by Anton Adasinskiy in 1988 in Leningrad. Anton Adasinskiy, who became known as the front man, choreographer and guitarist of the Russian rock theater AVIA, which was renowned in the 80s, and then studied with Slava Polunin, took on the role of artistic director and leading actor.
Muzyka J.S. Bach
Performing: Anton Adasinskiy, Ekaterina Gorynina (Cello, Viola da Gamba, Arrangements), David Adasinskiy, Arthur Adasinskiy
Crew: Elena Yarovaya - desing, props.
Martin Rossmanith - voice
Lights: Jędrzej Skajster
Derevo, a group from Dresden with Russian roots shows their new piece ‚Reinheit’. Together with the cellist Ekaterina Gorynina, movement theatre artist Anton Adasinskiy with his 2 sons Arthur and David Adasinskiy are ready to enter the cosmos of Bach’s music. They could not have done it earlier. And later it could not happen. So now…
In the music school, when I heard “The Well-Tempered Clavier” for the first time, the teacher laughed while she was playing. “For some reason, I always laugh while doing it. You know, this music has always existed and Bach only remembered it.” I remember Mom. Mama also existed in-mer. She could neither be a child nor die. Once she told me she felt shameless listening to Bach’s music. “How – shameless?” “Well, how can you listen when someone talks to God…” she replied.
Today the time has come: actor of physical theatre Anton Adassinskiy and cellist Katerina Goryni-na enter this divine realm of music.
The theater ensemble DEREVO, Russian “The Tree”, was founded by Anton Adasinskiy in 1988 in Leningrad. Anton Adasinskiy, who became known as the front man, choreographer and guitarist of the Russian rock theater AVIA, which was renowned in the 80s, and then studied with Slava Polunin, took on the role of artistic director and leading actor.
Muzyka J.S. Bach
Performing: Anton Adasinskiy, Ekaterina Gorynina (Cello, Viola da Gamba, Arrangements), David Adasinskiy, Arthur Adasinskiy
Crew: Elena Yarovaya - desing, props.
Martin Rossmanith - voice
Lights: Jędrzej Skajster
DEREVO is dedicated to the “language of the body, emotions and soul”.
In contrast to classical ballet, the idiosyncratic expressive dance in her performances is characterized by clownery, pantomime, improvisation, anarchy and chaos. DEREVO was also inspired by the Japanese Butoh. Due to the resulting dramatic power, the audience is captivated by the tension between general attraction and repulsion.
In contrast to classical ballet, the idiosyncratic expressive dance in her performances is characterized by clownery, pantomime, improvisation, anarchy and chaos. DEREVO was also inspired by the Japanese Butoh. Due to the resulting dramatic power, the audience is captivated by the tension between general attraction and repulsion.